Made it to Adobe Make-it 2017

Moments before the start of MAKE-IT 2017

Moments before the start of MAKE-IT 2017

Between August 2-3, the International Convention Centre in Sydney played host to the Adobe MAKE-IT conference, a gathering of close to 2,000 creatives and design professionals from Australia, New Zealand and beyond. While I was unable to attend the sessions on August 2 as the sessions were sold out, I was lucky enough to attend the conference on August 3 thanks to my employer – Openbook Howden Print & Design – providing me the leave at very short notice, for which I am truly grateful.

Speakers on the day of the conference included several creatives in differing fields including an animator using a variety of media; a conflict-zone photographer; a craft-based designer; a social media “disruptor” and author of the “Sharpie-art Workshop” book; and a self proclaimed “digital hipster”. Other speakers included several Adobe staff, including Adobe evangelists Paul Burnett and Photoshop guru Julieanne Kost.

While there were no jaw-dropping announcements about product releases or upgrades, Adobe did provide glimpses of ongoing upgrades and projects such as Project Felix, Adobe Character Animator, Adobe XD, Lightroom enhancements, Adobe Stock improvements, and a revamp of their Youtube site to make easier to follow tutorials.

The conference also provided me an opportunity to catch up with several speakers who had presented sessions the previous day, and whom I have met before at various CPN conferences such as PEPCON, The InDesign Conference and CreativePro Week.


Jesús Ramirez, Julieanne Kost, Mark Heaps, Karen Alsop and Colin Flashman at Adobe MAKE-IT 2017. Photo credit: Mark Heaps.

As someone who uses InDesign for most of their work, I was a little deflated that the software barely had a mention during the conference. Nevertheless, programs that were more familiar to the rest of the audience such as Photoshop, Illustrator and After Effects – applications I also use regularly – featured predominantly.

It was great to see so many people both in attendance and watching online, and hope that not only that the event can return next year, but with greater scope to be the “Mini-MAX” event for Australians who can’t necessarily make it to Adobe MAX in the USA.

Quick-tip: rename all links in an InDesign file

When working with difficult clients, it can be tempting to take out some frustration on the clients’ files, such as naming links within a file rather inappropriately. An example would be a picture placed into an InDesign file with the name lousypicture.jpg. Seems harmless enough, but this is a tame example compared to what might be going through your mind as a reader. Also, no – I’ve never done this and I’ve always behaved in a professional manner to my clients.

Seems like harmless enough fun… until the client requests packaged InDesign files of their artwork. Then it’s easy for the client to see all of the inappropriate names that were given to the links in their artwork, and unless they have a sense of humour about it, expect to receive… negative feedback.

If you’ve been in a situation like this and needed to rename all links in a document, then scripter Kasyan Servetsky has an ideal script for you: batch rename and link. Once the script is run, it renames and relinks all links in an InDesign file based on their page number and their position on the page. So a name such as lousypicture.jpg will now become AA_0002_r1.jpg

I’d originally used this script four years ago when I received a strange use-case where a customer wanted the images from their annual report labelled in terms of what pages the images were on, and this script was quite handy for that.

However, I can see the more appropriate use-case of having to rename inappropriate or offensively-named links when handing files over to clients.

Of interest: New Data Merge techniques and quote bug

In the latest Colecandoo Youtube episode, four Data Merge specific features are covered, namely:

  • Adding faux-returns to a data merge field to split over lines, and subsequent limitations of this technique;
  • Using GREP styles to swap a character for a glyph during a Data Merge;
  • Highlighting field codes so that they are easier to see when not showing live data; and
  • A bug that occurs when a double-quote is at the start of any field in a Data Merge text file.

Faux returns within a field

The faux-returns technique is written about elsewhere, so rather than spoil their presentations, please read the articles directly from the appropriate sources:

I’m a fan of this trick, but emphasise that this is a workaround rather than a long-term solution, given that formatting is limited and there are more appropriate ways of accomplishing this task such as dedicated plug-ins or an XML workflow.

Swap characters for glyphs

Daniel Solis also features a clever trick to swap phrases with glyphs during a Data Merge that uses both GREP styles and ligatures. Again, rather than simply repeat the technique, please see his original video here.

A similar method can be employed using Indiscripts’ Indyfont script, but rather than swapping phrases with glyphs, will swap single characters.

Highlight Field Codes

The video also shows a method for highlighting field-codes when Data Merge is not in the preview mode. It relies on the [Basic Paragraph] style using a GREP style that contains a large highlight, and that any other styles in the document are based off of the [Basic Paragraph] style. It also means the document has to be styled correctly.

I’d demonstrated this technique following a real-world example of a live file where fields were very hard to see, and the file had to have an offset shell printed with variable data printed afterwards, so making sure the shell had no variable data on it was crucial. Using this technique would make finding the field codes much easier to see.

Double Quote bug

Also featured in the video was an issue that once again arose from a real-world example where a customer had provided a database that had double-quotes at the beginning of fields, but no closing quotes, resulting in rather unusual results.


Housekeeping Scripts

You finally have an approval on that print project you’ve been working on for the last few months. All that’s left to do is make a PDF for the printer and be done with it, right?

Nope. It’s time to do some housekeeping on the file. Let me use this metaphor, once you’ve made dinner, you don’t leave your dirty pots and pans in the sink, do you?

It’s time to do some housekeeping, and in this episode of “must haves” on the Colecandoo Youtube channel, we’ll look at several scripts to keep your files nice and tidy.


One word of caution with any of the scripts shown in the video. They are all destructive in nature. That is, they intentionally remove items from a document. Make sure you save your work prior to running these scripts, just in case they have a catastrophic impact on your artwork. I’m showing these scripts for educational purposes only, this is not a tutorial on how to use these scripts.

Images and Frames

Cleanup Pasteboard

The first script removes items from the pasteboard. Run the script and select the distance from the trim edge and importantly whether threaded text on the pasteboard should be removed.

I can hear some of you now saying “but what if I’ve left important notes on the pasteboard for the next person who works on the artwork”? Well, either don’t use this script, or put your notes on after you’ve run this script.

Empty Frame Remover

This script removes any purely empty frames, that is no fill or stroke that have no special settings applied such as text wrap or text on a path. Once run, it scans the document and removes all of these empty frames.

Trista DPI

The next script resamples all images over a given resolution to a more appropriate resolution. It’s great for projects such as yearbooks where the resolution of images is often far greater than it needs to be.

Now, I was in two minds to whether I show this script or not. Out of the scripts being shown in this video, this is both the most powerful and potentially most destructive of them. Ultimately, read the instructions before using this script, and make sure you have access to backups in case things go wrong.


Next, let’s address some colour issues that may have come about from selecting registration by mistake, or left-over swatches from a Microsoft Word import.

Unlike many scripts I’ve shown previously, most of these scripts are buried in forum posts, so it’s a matter of reading the post, finding the script, copying and pasting into a text editor and saving as a .jsx file.

It’s worth noting that all of these scripts only affect colours generated within InDesign, so won’t fix colour issues in links such as PDFs or photoshop files.

Add unnamed colours

Let’s start off with this easy one-line script that adds all unnamed colours to the swatches palette. True, it’s just as easy to select this from the swatches menu. Regardless how it’s run, this should be the first step to cleaning up the swatches. You can cut and paste it from below:

app.menuActions.item("$ID/Add All Unnamed Colors").invoke();

Reduce Colors

This script launches a prompt that allows you to search for colours that are a given percentage different from each other and merge them to the swatch that appears higher in the swatches panel.

If you’re using a special knockout black swatch and don’t want it to become the default black, perhaps make it a spot colour while running these scripts.

I explain the differences between these colours in more depth in Episode 14.

Registration Fix

This script converts all registration colour applied by InDesign to its respective tint of Black.

RGB/LAB GREY swatches to Shades of Black

I’ve written a script that converts RGB and LAB values that appear as shades of grey to equivalent shades of Black, while leaving other swatches alone to be dealt with by another script.

RGB/LAB swatches to CMYK

There’s another RGB/LAB converter, though this script converts all RGB/LAB swatches to CMYK values.

Faux Black fixers

There are two scripts that can take faux black values and convert them either to 100% black or rich black. The faux black is determined by CMYK values beyond certain percentages. In this case, any swatch that is over 70 Cyan, 60 Magenta, 60 Yellow and 90 Black will be converted to either 100% black or rich black. You can dig into the script if you like, and redefine what constitutes a rich black or faux black.

Remove unused swatches

This will remove any swatches not used in the artwork.

Styles, Master Pages and Layers

Let’s make sure that we only have the necessary styles, master pages and layers that are required for the artwork.

Remove unused masters

This script removes any master pages that have not been used in the artwork.

Remove unused layers

Next is this script that removes any layers that contain no artwork.

Remove unused styles and groups

This is a series of scripts that removes any styles not used in the artwork, as well as unnecessary style groups that may have been left, whether deep in folders or not. In the video it is combined into one “catch-all” script for convenience, but it is the work of many authors, so it’s not right for me to host it. Links to the originals can be found here, here, here, here and here.

Delete guides

Lastly, this script removes all guidelines in a document. I can see that there would be some use for guidelines to remain in a document, but felt it was worth demonstrating.


To be sure that the artwork is completely free of issues, we want to make sure that there are no prepress issues. To make sure that the artist complied with the preflight that was associated with the document, there’s the preflight enforcer.

As shown on the Colecandoo Youtube channel before, I’ve prepared two scripts that will either warn or prevent a user from printing or exporting to PDF until all preflight issues are resolved.

So there you have it, over ten scripts that will help make housekeeping of InDesign files a lot easier. If there’s any that I’ve missed or you feel would be worthy of a future video, let me know via my contact page.

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